For me there was something absolutely magical about the year of 1976. I was fourteen and was totally enchanted by listening to a friends version of “Desire”. It changed my life. It had more to do with the sound of it all, the music, but most of all the intensity and passion in Dylan’s vocals. Later I was introduced to both “Street Legal” and Dylan live “At Budokan” before I heard and came to love the raw rocking, sometimes even punk “Hard Rain” live album from 1976, recordings from two of the shows in May, the 16th from Fort Worth in Texas, and the the 23d from Fort Collins, Colorado, the last of the two also filmed for the TV special broadcast in September the same year. Many of us has hoped for an official release of this one, maybe with even more tracks than we got, some of them I got to see when visiting the Dylan archives in Tulsa a few years ago. Sadly it is not reported to be a part of this years voluminous release, “The 1976 Live Recordings”. Maybe someday! But we do get a phenomenal collection of 39 (!!!) cd’s, covering most of the tour, of the second part of “The Rolling Thunder Revue”. No, I haven’t heard this release, but I’m excited to dive into it, “all the profesionally recorded shows from this tour”, the May 16th show from Fort Worth will even be released in an 3-LP version. Yippee! This post is really just me preparing for a listening experience I hoped for in years.
The first part of the Rolling Thunder Revue might be the all time favorite Dylan tour for many of his listeners, and it makes sense. It’s fabulous, also in my opinion, both as we could see it documented in Dylan’s movie “Renaldo and Clara” from 1978, with so many epic live performances, as well as documented in Martin Scorsese’s film “Rolling Thunder Revue – A Bob Dylan Story” from 2019. Both Bootleg Series, Volume 5: Live 1975, The Rolling Thunder Revue, released in 2002, and the 14-cd box set from 2019: Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings, all formats explains the special position this tour has both for Dylan and his audience and listeners. 1976 was something else, something completely different, even with some of the same songs, even with mostly the same musicians, but with, again, another side of Bob Dylan, for some provocative, for some punk as in a negative way, for some punk as in a positive way, sometimes in-your-face aggressive, almost brutal in some versions, sometimes angry, sometimes bitter, but then again, sometimes tender, sometimes sad, sometimes heartbroken – even from “just” “Hard Rain”, we had it all, including some of Dylan’s finest performances of some of his most complex songs, as f.i. “Idiot Wind”. Just fabulous!
This is the third tour in three years, all with their own distinct feeling, colour and flavor, both visually and musically – Dylan always in a state of becoming, then as now. And now it is true, once again, we don’t have to choose. We can soon cherrypick our favorites songs and performances from 1976 as much as we like. From the heartbreaking “Visions of Johanna” and “If you see her, say hello” in Lakeland in April to the mentioned song from Fort Collins, the last of the recorded shows, leaving out the one not properly recorded show in Salt Lake City, as reported with the only performed version of “Lily, Rosemary and the Jack of Hearts”. The recording equipment was sent home after Fort Collins. I guess Dylan knew that…
We don’t really know what we are waiting for, but we know something. Such as the following:
The songs included in the box-set – alphabetically – and number of versions.
| Song | Number of versions |
| A Hard Rain’s A-Gonna Fall | 2 |
| Blowin’ in the Wind | 25 |
| Dink’s Song | 1 |
| Deportee (Plane Wreck at Los Gatos) | 5 |
| Going, Going, Gone | 13 |
| Gotta Travel On | 24 |
| I Dreamed I Saw St. Augustine | 1 |
| I Pity the Poor Immigrant | 22 |
| I Threw It All Away | 12 |
| I Want You | 5 |
| If You See Her, Say Hello | 2 |
| I’ll Be Your Baby Tonight | 11 |
| Idiot Wind | 21 |
| Isis | 21 |
| It Ain’t Me, Babe | 4 |
| It Take a Lot to Laugh, It Takes a Train to Cry | 2 |
| It’s All Over Now, Baby Blue | 1 |
| It’s Alright, Ma (I’m Only Bleeding) | 4 |
| Just Like a Woman | 3 |
| Just Like Tom Thumb’s Blues | 1 |
| Knockin’ on Heaven’s Door | 20 |
| Lay, Lady, Lay | 22 |
| Leopard-Skin Pill-Box Hat | 1 |
| Like a Rolling Stone | 1 |
| Maggie’s Farm | 26 |
| Mozambique | 18 |
| Mr. Tambourine Man | 23 |
| Oh, Sister | 10 |
| One More Cup of Coffee (Valley Below) | 2 |
| One of Us Must Know (Sooner or Later) | 2 |
| One Too Many Mornings | 14 |
| Railroad Boy | 22 |
| Romance in Durango | 3 |
| Seven Days | 4 |
| Shelter from the Storm | 21 |
| Simple Twist of Fate | 5 |
| Spanish Is the Loving Tongue | 1 |
| Stuck Inside of Mobile with the Memphis Blues Again | 12 |
| Tangled Up in Blue | 2 |
| The Times They Are A-Changin’ | 1 |
| Tonight I’ll Be Staying Here with You | 2 |
| Vincent van Gogh | 24 |
| Visions of Johanna | 1 |
| Weary Blues from Waitin’ | 1 |
| When I Paint My Masterpiece | 1 |
| Wild Mountain Thyme | 6 |
| Will the Circle Be Unbroken | 1 |
| You’re a Big Girl Now | 9 |
| You’re Gonna Make Me Lonesome When You Go | 16 |
The songs included in the box set – from most to least played
It obviously will be interesting to study some of the one-offs here, compared to other live versions. We already know about unique versions of “Visions of Johanna”, “If Your See Her, Say Hello” and “Spanish Is The Loving Tongue” (actually the only version mentioned at bobdylan.com – the incomplete Chile Benefit versjon understandably omitted. Will some of the songs change in arrangement during the tour – as we know they sometimes might? Or at least from the first to the second part of Rolling Thunder?
| Song | Dylan’s first studio recording of the song | Number of live versions 1976 |
| Maggie’s Farm | 1965 | 26 |
| Blowin’ in the Wind | 1963 | 25 |
| Gotta Travel On | — | 24 |
| Vincent van Gogh | — | 24 |
| Mr. Tambourine Man | 1965 | 23 |
| I Pity the Poor Immigrant | 1967 | 22 |
| Lay, Lady, Lay | 1969 | 22 |
| Railroad Boy | — | 22 |
| Idiot Wind | 1975 | 21 |
| Isis | 1976 | 21 |
| Shelter from the Storm | 1975 | 21 |
| Knockin’ on Heaven’s Door | 1973 | 20 |
| Mozambique | 1975 | 18 |
| You’re Gonna Make Me Lonesome When You Go | 1975 | 16 |
| One Too Many Mornings | 1964 | 14 |
| Going, Going, Gone | 1973 | 13 |
| I Threw It All Away | 1969 | 12 |
| Stuck Inside of Mobile with the Memphis Blues Again | 1966 | 12 |
| I’ll Be Your Baby Tonight | 1967 | 11 |
| Oh, Sister | 1976 | 10 |
| You’re a Big Girl Now | 1975 | 9 |
| Wild Mountain Thyme | — | 6 |
| Deportee (Plane Wreck at Los Gatos) | — | 5 |
| I Want You | 1966 | 5 |
| Simple Twist of Fate | 1975 | 5 |
| It Ain’t Me, Babe | 1964 | 4 |
| It’s Alright, Ma (I’m Only Bleeding) | 1965 | 4 |
| Seven Days | 1991 | 4 |
| Just Like a Woman | 1966 | 3 |
| Romance in Durango | 1976 | 3 |
| A Hard Rain’s A-Gonna Fall | 1963 | 2 |
| If You See Her, Say Hello | 1975 | 2 |
| It Take a Lot to Laugh, It Takes a Train to Cry | 1965 | 2 |
| One More Cup of Coffee (Valley Below) | 1976 | 2 |
| One of Us Must Know (Sooner or Later) | 1966 | 2 |
| Tangled Up in Blue | 1975 | 2 |
| Tonight I’ll Be Staying Here with You | 1969 | 2 |
| Dink’s Song | 1961 | 1 |
| I Dreamed I Saw St. Augustine | 1967 | 1 |
| It’s All Over Now, Baby Blue | 1965 | 1 |
| Just Like Tom Thumb’s Blues | 1965 | 1 |
| Leopard-Skin Pill-Box Hat | 1966 | 1 |
| Like a Rolling Stone | 1965 | 1 |
| Spanish Is the Loving Tongue | 1971 | 1 |
| The Times They Are A-Changin’ | 1964 | 1 |
| Visions of Johanna | 1966 | 1 |
| Weary Blues from Waitin’ | — | 1 |
| When I Paint My Masterpiece | 1971 | 1 |
| Will the Circle Be Unbroken | — | 1 |
Which albums are represented in Rolling Thunder, part two, 1976?
It is quite interesting to learn that each of the albums from the “electric trilogy” from the mid-sixties are up there with “Desire” when it comes to songs performed.
The debut album, Self Portrait and New Morning are not represented, neither are Basement Tapes.
| Dylan studio album | From which studio albums are songs represented |
| The Freewheelin’ Bob Dylan | 2 |
| The Times They Are A-Changin’ | 2 |
| Another Side of Bob Dylan | 1 |
| Bringing It All Back Home | 6 |
| Highway 61 Revisited | 6 |
| Blonde on Blonde | 6 |
| John Wesley Harding | 3 |
| Nashville Skyline | 3 |
| Pat Garrett & Billy the Kid | 1 |
| Planet Waves | 1 |
| Blood on the Tracks | 7 |
| Desire | 6 |
| Bob Dylan’s Greatest Hits Vol. II | 3 |
| Not from a Dylan studio album / traditional / cover / archive-only in this context | 8 |
Overview over shows included in the box set
This table is based on the tracklist in the informations from bobdylan.com. “Included” means that the concert or recording is represented on one or more CDs in the 39-CD box set.
| Date | Concert/recording | Location | CDs | Status |
| April 18, 1976 | Civic Center | Lakeland, Florida | CD 1 | Included, though partly incomplete |
| April 20, 1976 | Bayfront Civic Center Auditorium | St. Petersburg, Florida | CD 2–3 | Included |
| April 21, 1976 | Curtis Hixon Hall | Tampa, Florida | CD 4 | Included |
| April 22, 1976 | Unaired TV Show / The Midnight Special, Starlight Ballroom, Belleview-Biltmore Hotel | Belleair, Florida | CD 5 | Included as a TV recording |
| April 23, 1976 | Sports Stadium | Orlando, Florida | CD 6–7 | Included |
| April 25, 1976 | University of Florida Field | Gainesville, Florida | CD 8–9 | Included |
| April 27, 1976 | Tully Gymnasium, Florida State University | Tallahassee, Florida | CD 10–11 | Included |
| April 28, 1976 | University of West Florida Field House | Pensacola, Florida | CD 12–13 | Included |
| Date | Concert/recording | Location | CDs | Status |
| April 29, 1976, early | Expo Hall, Municipal Auditorium | Mobile, Alabama | CD 14–15 | Included |
| April 29, 1976, late | Expo Hall, Municipal Auditorium | Mobile, Alabama | CD 16–17 | Included |
| May 1, 1976 | Reid Green Coliseum | Hattiesburg, Mississippi | CD 18–19 | Included |
| May 3, 1976, early | The Warehouse | New Orleans, Louisiana | CD 20 | Included, but only as a one-CD excerpt in the box |
| May 4, 1976 | Louisiana State University Assembly Center | Baton Rouge, Louisiana | CD 21–22 | Included |
| May 8, 1976 | Hofheinz Pavilion | Houston, Texas | CD 23–24 | Included |
| May 10, 1976 | Memorial Coliseum | Corpus Christi, Texas | CD 25–26 | Included |
| May 11, 1976 | Municipal Auditorium | San Antonio, Texas | CD 27–28 | Included |
| Date | Concert/recording | Location | CDs | Status |
| May 12, 1976 | Municipal Auditorium | Austin, Texas | CD 29–30 | Included |
| May 15, 1976 | Gatesville State School for Boys | Gatesville, Texas | CD 31 | Included as a shorter recording |
| May 16, 1976 | Tarrant County Convention Center Arena | Fort Worth, Texas | CD 32–33 | Included complete; also planned as a separate 3-LP release |
| May 18, 1976 | State Fair Arena | Oklahoma City, Oklahoma | CD 34–35 | Included |
| May 19, 1976 | Henry Levitt Arena | Wichita, Kansas | CD 36–37 | Included |
| May 23, 1976 | Hughes Stadium, Colorado State University | Fort Collins, Colorado | CD 38–39 | Included complete; connected to Hard Rain |
Concerts Omitted from the Box Set
Compared with the official tour list, most dates are represented in the 39-CD box set. The table below shows only the concert that does not appear as its own represented recording in the box tracklist.
| Date | City | Venue | Status in the 39-CD box | Comment |
| May 25, 1976 | Salt Lake City, Utah | Salt Palace | Omitted | The official tour list ends here, but the box tracklist stops with Fort Collins on May 23, represented on CDs 38–39. |
Why Salt Lake City is missing: The Salt Lake City concert on May 25, 1976 is missing because it was not professionally recorded. After the television recording and the Fort Collins concert two days earlier, Dylan’s management sent the professional recording equipment home. As a result, there are no tapes that could be included in a box set devoted to the professionally recorded concerts from the 1976 leg. As far as is known, there are also no audience recordings or bootlegs from the Salt Palace show, making it one of the most mythologized absences from the Rolling Thunder Revue period.
The concert is especially notable because Dylan is believed to have performed “Lily, Rosemary and the Jack of Hearts” live that night — the only known concert performance of the song in his career. The absence of any recording has made the Salt Lake City show something of a “holy grail” for Dylan fans. At least one of the holy grails.
Just waitin’ for the songs to shine.
Bob Dylan isn’t for all. He is an acquired taste. Dylan 1976 might not be for all. Still – as it has been for many of the archival releases through the years, some people with listen with new ears, things might change in fifty years. But – the no-nonsense take-no-prisoners provocative attitude might not be for all. But for some of us, maybe for many of us, I’m pretty sure, we’ll find a couple of new golden moments to cherish together with so many in this cornucopia of an treasure chest we know as Bob Dylan. Just wait for it! I’ll stand in line.
Johnny Borgan